Beautiful 1969 Stereo Compilation, Still In Shrink. Embossed Promo Stamp On Back Jacket. Appears Unplayed. “The Eye-Catching Psychedelic Art On The Cover Of 1969's The Open Mind Of J.D. Loudermilk Is More Tongue-In-Cheek Than A Reflection Of The Music Within. Loudermilk, One Of The Greatest Nashville Songwriters Of The Late '50s And Early '60s, Seemed To Believe That This Album Would Blow The Lid Off The Music World, But It Is Not Nearly As Controversial As He Suggests In The Liner Notes. A Mixture Of Conservative And Progressive Political Views, The Songs Blast The "New Morality," The Drug Culture, And Accuse Peace Protesters Of Killing Policemen. "Goin' To Hell On A Sled" Is The Most Overtly Political Cut On The Album, But "The Jones" Critiques Madison Avenue Materialism And Keeping Up With "The Joneses," "Poor Little Pretty Girl" Takes A Swipe At The Objectification Of Women, And "Brown Girl" Looks At Interracial Romance. Other Songs, Such As "Nassau Town," Are Pretty Folk-Pop Ditties Of The Sort More Commonly Associated With Loudermilk.” – Greg Adams, All Music Guide.